"Magic Bus" was first performed during the Who's 1968 tour and was part of the regular set from 1971 to 1976 (it was performed frequently in early-mid 1969 and less often in 1970). The 2014 compilation The Who Hits 50! features the alternate vocal long version at 4:34 in mono. The Polydor CD Remaster of "The Kids Are Alright", issued in 2000, mistakenly states "Remixed stereo version", and should state "Remixed mono version". That version is the mono single version, but slowed down, resulting in the song being a semi-tone lower in pitch and slightly longer at 3:21. It was subsequently released on The Kids Are Alright film soundtrack. The song appeared in the band's 1979 film The Kids Are Alright taken from the 1968 single performance. (The original single length version did appear in true stereo only on the US "Magic Bus" LP.) This longer mix features an alternate vocal track, an extended middle section, and does not fade out at the end. However, on 25 July 2007, Universal Japan re-released the album in a mini-LP sleeve that includes the long alternate version of "Magic Bus" in fake stereo, as on the original album.
The original LP and cassette of the Meaty Beaty Big and Bouncy compilation album featured a 4:28 longer alternate vocal take of "Magic Bus" in fake stereo which was not included on the original compact disc version because the true stereo or mono source could not be found for the long version of the song.
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After haggling for a while, the driver finally lets him have it and he vows to drive it to his girlfriend's house every day. In the song he asks the "Driver", usually Townshend, if he can buy the bus from him, with the driver's initial answer being no.
The song is usually performed as a duet, where the "Rider", usually singer Roger Daltrey when live, is riding on the bus every day to see his girl. Cash Box said that it has "a rhythmic reminiscence of ' Bo Diddley.'" A version was released as a single in the UK in April 1967 by an obscure band called the Pudding, in the UK on Decca and in the US on London's Press label.
The song was not recorded by the Who at the time it was written, but the band's management and music publisher circulated a Townshend demo recording of the song in 1966. The song makes use of the Bo Diddley beat. The Who previously used this same instrument on the song " Disguises", which was recorded in 1966. The arrangement for "Magic Bus" uses a Latin percussion instrument known as claves, which are pairs of small wooden sticks that make a distinctive high pitched clicking noise when struck together. The song was included on their 1968 album Magic Bus: The Who on Tour. It has become one of the band's most popular songs and has been a concert staple, although when released, the record only reached number 26 in the UK and number 25 in the United States. However, it was not recorded until 1968, when it was released as a single on 27 July 1968 in North America, followed by its release in the United Kingdom on 18 September 1968. It was written by their guitarist Pete Townshend during the time that their debut album My Generation was being recorded in 1965. 43 in the UK Singles Chart in 1976." Magic Bus" is a song recorded by British rock band the Who. The Chanter Sisters had a minor hit with a different song of the same title, which reached No. The intro of "Sideshow" was sampled by Chris Brown in "Young Love". Some radio edits fade the song out several seconds earlier before the repeat of the introduction in the Coda section, which also featured a repeat of the chorus, due to the length of the song. The follow-up song was the similarly themed "Three Ring Circus". The song is noted for its introduction, featuring a repeat of the first 10 notes of a slow version of Julius Fucik's " Entrance of the Gladiators", while one of the band's members acts like a master of ceremonies, declaring: "Hurry!! Hurry!!! Step right up! See the saddest show in town for only 50 cents!" Released on the album Blue Magic, it became one of pop music's most affecting ballads and sold over a million copies, going to number one R&B and number eight pop in the middle of 1974. Composed by Vinnie Barrett and Bobby Eli (both collaborated on another Philly soul ballad " Love Won't Let Me Wait" by former Delfonics member Major Harris), when record producer and guitarist Norman Harris heard "Sideshow", he said that should be recorded by Blue Magic. A visit into an antique museum was the inspiration to write a romance metaphor, which took about four months to finish.
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